My set design for Henrik Ibsen's A Doll’s House is conceived as a circular space that directly engages the audience, making them an integral part of the scenography. Seated around a central platform, the spectators create an intimate and claustrophobic arena, the setting where Nora’s tragedy unfolds.
In this symbolic environment, Nora, the "doll," breaks free from her artificial life and her husband’s oppressive love. In the climactic moment, her departure from the theatrical space symbolizes her transition into the real world, an act of emancipation and rebirth that shatters the confines of both the stage and her life.
DESIGNS
THE MODEL
TECHNICAL DRAWINGS
